Sony A6300 Luts
Charles Hull wrote: on using S-Log2 ánd S-Lóg3 with a6300 movie, along with a great LUT kit for the 6300. I don't understand that LUT's are very much different for the a new6300 than for the a7x series cameras, but I tried Alister's a6300 LUT's i9000 with some higher contrast outside 4K footage and got very good outcomes, bóth with S-Log2 ánd S-Log3. If yóu are usually curious in S-Log the article plus all the feedback are really beneficial. He provides some great factors for NOT using S-Log3 on the A6300 - i tried it, it had been type of irritating and I thought at some stage I'd arrive back again to it, but it seems like what I actually need to perform is give S-Log2 a try out.
Sony A6300 Luts
Sony A6000 Luts
[Note: to view more LUTs that work well in Slog 3 -- and to compare Slog3 footage to identical footage shot in Cinegamma 3 -- check out this test video I shot: 4K LUT Shootout (Slog3) - Great for Sony FS5, A7S II, a6300 & FS7 shooters on Vimeo. The new Sony A6300 is making quite a stir. This compact interchangeable lens camera has an amazing feature set that is very similar to the features found on it’s bigger brothers the A7sII and A7RII. Also included is an optimised S-LOG 2 profile and further LUTs designed exclusively by EOSHD for all S-LOG 2 footage! A flat film gamma profile, Pro LOG is easier to grade than S-LOG and works. Read moreEOSHD Pro LOG for Sony Cameras (a7S II, a7R II, a6300 and more). The True Color LUT is available for $14.50. Currently We Only Support Sony Cameras A7R2 / A7S2 / A7R3 / A7S3 / A73 / A6300 / A6500 / RX100mk4 / FS5 / FS7 (Basically any Sony camera which allows S-LOG shooting).